NYLONbooks

Selected Writings, Volume 2, Fictions, November 2009, 7.5/10.

Written by Friederich Dürrenmatt, published by University of Chicago Press.

D.’s stories are remarkably diverse in tone register and style. Some take place today, others in a hypothetical orwellian future, others in Greek times. They involve Minotaurs and sales representants, profets and gangsters. Some are incredibly comic, others morbid, yet all feel like anguishing nightmares, because the dominant theme in each of them is the conflict of the individual with a monstruous world. In most stories, the individual is defeated and can only bear his situation thanks to self-deceit. For example, in “The City”, one of my favorite stories, the main character attempts to rebel against the orwellian “administration,” an amorphous entity that controls the city, but is subdued into accepting a job as a guardian, a seemingly powerful role. Except that the guard is confined to living incognito in the same pitch dark  dungeon as the prisoner and cannot be distinguished from the prisoners other than from his knowledge of being the guard, because he has a weapon. He cannot use it however, because he is incognito. Guard and prisoner are alike: are all the prisoners guards and viceversa? The thought dawns on him but is soon deflected, because it is only the illusion of having power over others that makes his situation bearable. But the doubt lingers on.